Marya Mishina

Download Now Server 1 Download Now Server 2 Download Now Server 3 No matter if you’re professional or beginner, your work should be fun. And if you are a coder/programmer, your coding font should be something you enjoy looking. Square and crisp coding fonts might be easy on the pixels, but are they easy on your eyes? Do they keep you entertained at work? Codelia is a monospaced humanistic typeface designed for coding with focus on comfort and fun without sacrificing legibility or coding functionality. It’s fun but not a joke. Its round shapes are easier on the eyes and make the code look less intimidating. It is not designed to make maximum use of every pixel on screen, but to make you forget about pixels. The italic is full of personality but sober enough to not draw unnecessary attention. Codelia works great for coding, but also in presentation, education as well as packaging and branding. Codelia is available in two families, one with coding ligatures and one without; ligatures i

Download Mono Spec Fonts Family From Letter Omega Typefoundry Mono Spec is a monospace displays have an aesthetic and industrial style, The Stencil version bringing a spirit of resistance and street culture. Mono spec is equipped with opentype features, " Mono Spec Variable : access the variable for thickness and adjust the distance of the stencil freely", also complete with Fraction and alternate characters. Mono Spec is available in 5 weights plus Stencil version with multilingual support to Basic Latin, Western European, South Eastern European, Turkish, and Central European. Download Mono Spec Fonts Family From Letter Omega Typefoundry Download Now View Gallery

Download Now Server 1 Download Now Server 2 Download Now Server 3 Dossier is a monospaced serif face that originates in Dwiggins’s designs for typewriter. It has a soft and casual personality and comes in 8 weights and matching italics, making it ideal for text typography, package and advertisement design. Dossier is an adaptation of William Addison Dwiggins’s unfinished typewriter faces. He worked with multiple typewriter manufactures including Underwood, Remington Rand, and IBM, but none of them were finished. He left a number of intriguing drawings which are now kept at the Boston Public Library. You could see in the drawings that Dwiggins was also interested in exploring designs of varied width. Toshi Omagari decided to combine these materials to make a cohesive family: the upright was taken from a drawing of monospaced lowercase for an unknown client, and the italic was from the work he did for Underwood which he called ‘Aldine’. Toshi added narrower and wider alternates in the