Marya Mishina

Download Now Server 1 Download Now Server 3 Download Now Server 2 Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org We thought, "What if we provide the user with a collection of matching fonts, each of which would still be unique?"—and so we started developing TT Rationalist . For those familiar with the bestsellers TT Norms® Pro and TT Commons Pro , the new font will be intuitive to use. It has similar proportions, characteristics and functionality, but yet it is an independent and original font family. Unlike the geometric sans serifs TT Norms® Pro and TT Commons Pro , TT Rationalist is a slab serif typeface. It is functional and original. Slabs are characterized by massive rectangular serifs, but in TT Rationalist they are trapezoidal and refined, which makes them look modern. Speaking of modernity, when creating the typeface, we wanted to avoid the excessive historicism that can be seen in many slab se

Download Now Server 1 Download Now Server 3 Download Now Server 2 Shallot is a serif font family with sharp and exquisite characteristic. The initial letterforms are made not completely based on calligraphic strokes, which make it more likely close to transitional serif style. The letterforms have high contrast strokes and sharp serif with curved brackets. The upright styles have a fairly wide proportion. The italic styles have 12 degree angle and redrawn lowercase letters. Shallot consist of 4 styles from regular to extrabold with each matching italics. It contains 462 glyphs that support broad latin languages. Shallot

Download Now Server 1 Download Now Server 3 Download Now Server 2 48 styles + 1 variable with 3 axes of variability Rioma is geometric typeface inspired from legend of geometric typeface Antique Olive. Rioma Normal character shapes have optimized proportions and an improved balance perfect to use for text and the heavy weight is have a strong character have a unique style with smooth shape to use it for any display, Nord version with cotemprary character for display Something look strength of its wide letterforms at larger sizes and their simplicity at smaller sizes struck a chord. and also with Rioma wide version with aesthetic and modern look can be use for any display media to support your visual design. Variable: Rioma support variable with three variation axes: weight, width, and Italic. Rioma OpenType features: aalt, ordn, locl, case, frac, subs, sups, numr, dnom, tnum, onum, lnum, pnum, smcp, Alternates character ss01, ss02, ss03, ss04, ss05, locl, d

Download Now Server 1 Download Now Server 3 Download Now Server 2 Altersan is sans serif font family with extraordinary abstract alternative glyphs and icons. The initial style is humanist grotesk sans which fit for various design purposes. The complete family consist of 8 styles from thin to black with each matching obliques. Its contain 477 glyphs which covered broad latin languages. The alternative glyphs can be accessed by activating the opentype feature; Stylistic Alternates and also by opening the glyphs panel. Altersan

Download Now Server 1 Download Now Server 3 Download Now Server 2 Mestiza is a type family with a living past, which combines its ancient roots bringing the handmade to the contemporary in a spirited mix that evokes elegance and strength. Thanks to its sharp terminals and high contrast, Mestiza acquires a unique personality. It is ideal for headlines and branding projects and allows it to be set in 219 languages ​​of the Latin alphabet, thanks to the more than 700 characters set. Mestiza has 12 variants, six Roman plus Italics including Small Caps, Old-Style numbers, Superiors, Inferiors, Contextual and Discretionary ligatures, Symbols, and some Alternates. Mestiza

Download Now Server 1 Download Now Server 3 Download Now Server 2 Rig Sans is a streamlined geometric typeface, that speaks in a confident, affable tone. Its open, clean structure lends text a neutral, transparent quality. Distinct features enable Rig Sans to thrive, both in print and on screen: Minimalist Design Terminals clipped at 90º Generous x-height Wide apertures Distinct I,l,1 (uppercase i, lowercase L, Number 1) Rig Sans ’ sturdy characters produce text settings with excellent clarity and readability. Their shape has been adapted from robust letterforms originally designed to withstand 3D distortions. This unique approach has resulted in an original sans serif rendition and an adaptive, durable type family. Rig Sans is comprised of eight weights and accompanying italics. Each weight contains 514 glyphs. OpenType features include: Alternate characters Three figure styles All caps punctuation Fractions Ordinals Superscript Subscript Rig Sans

Download Now Server 1 Download Now Server 3 Download Now Server 2 Rig Sans is a streamlined geometric typeface, that speaks in a confident, affable tone. Its open, clean structure lends text a neutral, transparent quality. Distinct features enable Rig Sans to thrive, both in print and on screen: Minimalist Design Terminals clipped at 90º Generous x-height Wide apertures Distinct I,l,1 (uppercase i, lowercase L, Number 1) Rig Sans ’ sturdy characters produce text settings with excellent clarity and readability. Their shape has been adapted from robust letterforms originally designed to withstand 3D distortions. This unique approach has resulted in an original sans serif rendition and an adaptive, durable type family. Rig Sans is comprised of eight weights and accompanying italics. Each weight contains 514 glyphs. OpenType features include: Alternate characters Three figure styles All caps punctuation Fractions Ordinals Superscript Subscript Rig Sans

Download Now Server 1 Download Now Server 3 Download Now Server 2 Mustica Pro is a clean and geometric sans serif font that has a number of OpenType features and supports Latin, Cyrillic and Greek languages. The word of Mustica has the meaning of a crown, even for Asians this word not only a "crown". But also, Mustica has the meaning of brave, clever or wise. In this regard, the Mustica Pro font was carefully crafted with optimal effort, to make it the most popular modern sans serif. Mustica Pro has many advantages apart fairly extensive language support. The important features are case sensitive, ligatures, discretionary ligatures, proportional figures, tabular figures, oldstyle figures, proportional oldstyle, fraction, numerator, denominator, superscript (scientific superior), inferior, fractions, alignment colon and others. With features that the Mustica Pro font has, it is hoped that this font will be the best professional choice. Moreover, the

Download Now Server 1 Download Now Server 3 Download Now Server 2 CAD was designed by Nikolay Savchuk. It is brilliantly suited for graphic design and display use and perfect for logotypes, t-shirts, packaging, brand identity, books, magazines, newspapers, posters, billboards, and advertising. Cad

Download Now Server 1 Download Now Server 3 Download Now Server 2 Accia Sans is a humanist sans-serif typeface with character. Its strong features make an outstanding performance in branding applications, as well as in editorial designs. The font family contains 8 weights from Thin to Extra Bold, with matching true italics. It supports extensive language support including Cyrillic, as well as numerous OpenType features such as small caps, ligatures, several sets of figures, case-sensitive punctuation, ordinals. Accia Sans is a member of Accia Type System. It encompasses five typefaces ranging from sans-serif to expressive serif, giving you the possibility to create sophisticated cohesive designs. Accia Type system consists of Accia Sans , Accia Flare, Accia Piano, Accia Moderato, and Accia Forte. Accia Sans

Download Now Server 1 Download Now Server 3 Download Now Server 2 Replay is a pure hymn to the classic typeface Caslon originally made by William Caslon (1692–1766). The typeface that bears his name, was made between 1720 and 1726. In 1739 he founded the Caslon Foundry which later become a property of Stephenson, Blake & Co., but remained an independent foundry until 1937. The typeface have been popular ever since it was made and still stand proud as a classic text face. MRF made detailed research, including versions from Adobe and Justin Howes. The end result is leaning more towards the original. Some minor »imperfections« are also incorporated in order to make the typeface more lively and old fashioned. Replay Pro

Download Now Server 1 Download Now Server 3 Download Now Server 2 Replay is a pure hymn to the classic typeface Caslon originally made by William Caslon (1692–1766). The typeface that bears his name, was made between 1720 and 1726. In 1739 he founded the Caslon Foundry which later become a property of Stephenson, Blake & Co., but remained an independent foundry until 1937. The typeface have been popular ever since it was made and still stand proud as a classic text face. MRF made detailed research, including versions from Adobe and Justin Howes. The end result is leaning more towards the original. Some minor »imperfections« are also incorporated in order to make the typeface more lively and old fashioned. Replay Pro

Download Now Server 1 Download Now Server 3 Download Now Server 2 Replay is a pure hymn to the classic typeface Caslon originally made by William Caslon (1692–1766). The typeface that bears his name, was made between 1720 and 1726. In 1739 he founded the Caslon Foundry which later become a property of Stephenson, Blake & Co., but remained an independent foundry until 1937. The typeface have been popular ever since it was made and still stand proud as a classic text face. MRF made detailed research, including versions from Adobe and Justin Howes. The end result is leaning more towards the original. Some minor »imperfections« are also incorporated in order to make the typeface more lively and old fashioned. Replay Pro

Download Now Server 1 Download Now Server 3 Download Now Server 2 Replay is a pure hymn to the classic typeface Caslon originally made by William Caslon (1692–1766). The typeface that bears his name, was made between 1720 and 1726. In 1739 he founded the Caslon Foundry which later become a property of Stephenson, Blake & Co., but remained an independent foundry until 1937. The typeface have been popular ever since it was made and still stand proud as a classic text face. MRF made detailed research, including versions from Adobe and Justin Howes. The end result is leaning more towards the original. Some minor »imperfections« are also incorporated in order to make the typeface more lively and old fashioned. Replay Pro

Download Now Server 1 Download Now Server 3 Download Now Server 2 Replay is a pure hymn to the classic typeface Caslon originally made by William Caslon (1692–1766). The typeface that bears his name, was made between 1720 and 1726. In 1739 he founded the Caslon Foundry which later become a property of Stephenson, Blake & Co., but remained an independent foundry until 1937. The typeface have been popular ever since it was made and still stand proud as a classic text face. MRF made detailed research, including versions from Adobe and Justin Howes. The end result is leaning more towards the original. Some minor »imperfections« are also incorporated in order to make the typeface more lively and old fashioned. Replay Pro

Download Now Server 1 Download Now Server 3 Download Now Server 2 Replay is a pure hymn to the classic typeface Caslon originally made by William Caslon (1692–1766). The typeface that bears his name, was made between 1720 and 1726. In 1739 he founded the Caslon Foundry which later become a property of Stephenson, Blake & Co., but remained an independent foundry until 1937. The typeface have been popular ever since it was made and still stand proud as a classic text face. MRF made detailed research, including versions from Adobe and Justin Howes. The end result is leaning more towards the original. Some minor »imperfections« are also incorporated in order to make the typeface more lively and old fashioned. Replay Pro

Download Now Server 1 Download Now Server 3 Download Now Server 2 Replay is a pure hymn to the classic typeface Caslon originally made by William Caslon (1692–1766). The typeface that bears his name, was made between 1720 and 1726. In 1739 he founded the Caslon Foundry which later become a property of Stephenson, Blake & Co., but remained an independent foundry until 1937. The typeface have been popular ever since it was made and still stand proud as a classic text face. MRF made detailed research, including versions from Adobe and Justin Howes. The end result is leaning more towards the original. Some minor »imperfections« are also incorporated in order to make the typeface more lively and old fashioned. Replay Pro

Download Now Server 1 Download Now Server 3 Download Now Server 2 Anziano follows the direction staked out with Delicato. When creating traditional typefaces, it is inevitable to be influenced by earlier designs. Anziano does show touches of another classic typeface – Weiss (by Emil Rudolf Weiss, 1926). Weiss is often misjudged and overlooked. Perhaps the most well known Swedish typeface – Berling (by Karl-Erik Forsberg, 1914–1995) is actually based largely on Weiss. MRF have appreciated the design of Weiss uprights for a long time. When Stefan Hattenbach bought the first Swedish edition of The Lord of the Rings (1959–61), in 2004, he was amazed by the excellent flow of the text presented on each page. Despite the very original character that Weiss has, it was a pleasure to read a book set in such a typeface. MRF realized that several major foundries had already done interpretations of Weiss, more or less true to the original. MRF didn’t want to add on to that list

Download Now Server 1 Download Now Server 3 Download Now Server 2 Anziano follows the direction staked out with Delicato. When creating traditional typefaces, it is inevitable to be influenced by earlier designs. Anziano does show touches of another classic typeface – Weiss (by Emil Rudolf Weiss, 1926). Weiss is often misjudged and overlooked. Perhaps the most well known Swedish typeface – Berling (by Karl-Erik Forsberg, 1914–1995) is actually based largely on Weiss. MRF have appreciated the design of Weiss uprights for a long time. When Stefan Hattenbach bought the first Swedish edition of The Lord of the Rings (1959–61), in 2004, he was amazed by the excellent flow of the text presented on each page. Despite the very original character that Weiss has, it was a pleasure to read a book set in such a typeface. MRF realized that several major foundries had already done interpretations of Weiss, more or less true to the original. MRF didn’t want to add on to that list

Download Now Server 1 Download Now Server 3 Download Now Server 2 Anziano follows the direction staked out with Delicato. When creating traditional typefaces, it is inevitable to be influenced by earlier designs. Anziano does show touches of another classic typeface – Weiss (by Emil Rudolf Weiss, 1926). Weiss is often misjudged and overlooked. Perhaps the most well known Swedish typeface – Berling (by Karl-Erik Forsberg, 1914–1995) is actually based largely on Weiss. MRF have appreciated the design of Weiss uprights for a long time. When Stefan Hattenbach bought the first Swedish edition of The Lord of the Rings (1959–61), in 2004, he was amazed by the excellent flow of the text presented on each page. Despite the very original character that Weiss has, it was a pleasure to read a book set in such a typeface. MRF realized that several major foundries had already done interpretations of Weiss, more or less true to the original. MRF didn’t want to add on to that list