Marya Mishina

Download Now Server 1 Download Now Server 2 Download Now Server 3 Antica has sharp triangular serifs, and in 8 weights with true italics, it forms a family that stylistically finds its origins in Latin styles of the nineteenth century. The font incorporates additional swashes, small caps and stylish alternates that advance the aesthetic from its roots and make it appropriate for modern design. Commonly named ‘Latin types’ did not vary in weight, but we decided to create Antica with a range that goes from thin to black and we also added extra curlicues to the letterforms. Antica borrows from the versatility and freedom granted to type founders of the nineteenth century – a time when the meteoric growth of mass-produced consumer goods led to an increased demand for publicity that needed fresh, attention grabbing typefaces. And as an homage to these Latin types we designed Antica to function well with an array of projects from stylized labels and formal editorial design requiring smal

Download Now Server 1 Download Now Server 3 Download Now Server 2 The drummer in a band of confident, edgy editorial typefaces Bridge Text brings rhythm and clarity to longform reading. With crisp character, sparkling texture and driving asymmetrical counters, Bridge Text refines Bridge Head’s graphic qualities for note perfect, highly readable text at smaller sizes. Slightly narrow proportions, moderate stroke contrast and an ample x-height ensure Bridge Text is clear and efficient. With five weights and matching italics for distinctively setting quotes or marginalia, Bridge Text has a range of ways to give longform text a modern voice. Each of her 10 styles can work together with Bridge Head to tell stories and build complex typographic ensembles in editorial and corporate design. Unlike other superfamilies, Bridge Head and Bridge Text are distinguished by mor